Classic Children’s Clothes to Cherish – and To Pass Down – something I’m finding I’m pretty passionate about. Though dear Daughter turned her nose up at many of her smocked little dresses, saying she’d never use them on her own kids, these 2 garments my heart just HAD TO KEEP! I freshly laundered and pressed them and guess what? She NOW thinks they are just pretty precious and said she WILL put them on my granddaughter. Guess actually having a little girl has changed her mind! Anyway – it was a real treat to dig them out of the ‘Special Clothes’ Box and to examine my sewing skills of 35 years ago. Join me on a trail of sewing memories……
Sewing Classic Clothes for Children by Kitty Benton
I still remember catching a glimpse of this beautiful book in a small private bookstore – had to be back in the early 1980’s. I know I saved and invested in it, dreaming of all the lovely clothes it would help me make for the daughter for which we were praying. We had been blessed to adopt our son as an infant in 1979. The agency through which we worked wanted families to have 2 children, so we knew we were ‘on the list’. Since asked, of course – we (or perhaps I should correctly say I) specified that a girl would be wonderful! And yes, the book is STILL available – of course, on Amazon. Check it out HERE.
I had done ‘American Smocking’, but had never tried English Smocking over folds, so with this book in hand, I gave it a try. Here is my first ever sampler. I believe the book even included some iron-on transfer dots for gathering up into the pleats over which the stitches were worked. At any rate, this book and the sampler have been on my sewing room bookshelf ever since!
Alice in Wonderland Pinafore
I can tell from my measurements written in the book, that one of the first things I made using it was the Alice in Wonderland Pinafore my baby girl is wearing in this Easter 1983 portrait along with her big brother. And yes, I made his suit! A memory from making one of his first little jackets and getting the buttonhole on the wrong side was deciding that I HAD to come up with a way to remember which side the buttonholes go on for a little boy (or men, for that matter. My solution: “Women are always right – therefore the buttonholes go on the RIGHT side of women’s clothing.”
Checking in at the Smithsonian website for why men’s buttonholes are on the left front…the answer agrees with what I learned in a college ‘History of Costume’ class…”Because male soldiers also often drew their weapons with their right hand, building their clothes with the buttons on the right side would have made it a lot easier to adjust and unbutton with their free left hand, Garber writes.” Read about it HERE.
Intrigued with my dressmaking skills that many years ago, I was impressed with how the Swiss embroidered lower trim into one of the skirt tucks. Yep – wonderful directions in the book for doing so!
I also remember now that the ruffles on this pinafore were my introduction to shaping shoulder ruffles from wide to narrow. This principle learned from this book, carried over to my Heirloom Bonnet pattern ruffles when I started my pattern line 8 years later.
Easter Dress Construction Details
The dress under the pinafore is also quite charming – a sweet teeny floral pattern on lightweight batiste…. Here are a few of the construction details:
Use of the selvage as the innermost edge of the self fabric double ‘facing’ at the back yoke as shown below. This double layer takes the place of interfacing. the bias double neck ruffle stands up because it was placed on the outside, and finished to the inside with bias tape.